Night is Short, Walk On Girl – DVD: Ein Mädchen weilt allein auf einer Hochzeitsfeier. Ein paar Tische weiter sitzt – nicht ganz zufällig – einer. narkolepsie.eu - Kaufen Sie Night Is Short, Walk On Girl - günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu. Bei den letzten „Anime Nights“ startete der japanische Film "Night is short, Walk On Girl" (FSK 16) des derzeit populären Regisseurs der alternativen.
Night Is Short Walk On Girl Night is Short, Walk on Girl
Ein Schüler will endlich einer befreundeten Schülerin seine Liebe gestehen. In einer mysteriösen Nacht, die ein ganzes Jahr zu dauern scheint und in dem sie viele mysteriöse Begegnungen haben, versucht er diesen Plan umzusetzen. Night is Short, Walk on Girl – Wikipedia. narkolepsie.eu - Kaufen Sie Night Is Short, Walk On Girl - günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu. Night is Short, Walk on Girl / Yoru wa mijikashi arukeyo otome. FSK Genre: Animation, Special Event. FSK: ab 16 Jahre. The Night Is Short, Walk On Girl. 夜は短し歩けよ乙女. Best Of Nippon Connection ². Senpai steht auf seine Kommilitonin. From the visionary mind of director Masaaki Yuasa comes The Night Is Short, Walk on Girl, a comedy about one epic night in Kyoto. Night is Short, Walk On Girl – DVD: Ein Mädchen weilt allein auf einer Hochzeitsfeier. Ein paar Tische weiter sitzt – nicht ganz zufällig – einer.
The Night Is Short, Walk On Girl. 夜は短し歩けよ乙女. Best Of Nippon Connection ². Senpai steht auf seine Kommilitonin. From the visionary mind of director Masaaki Yuasa comes The Night Is Short, Walk on Girl, a comedy about one epic night in Kyoto. Night Is Short, Walk On Girl, 1 Blu-ray, Blu-ray von Masaaki Yuasa bei narkolepsie.eu Portofrei bestellen oder in der Filiale abholen.
If the story doesn't entertain you, it will at least keep you enthralled with the beautiful visuals. I can't say that this film is for everyone, due to the insane structure and frequent changes made to the style of film.
I can say however that this is one of the best anime films I've ever seen. It is definitely worth a watch if you think this is a film you can get with.
A love story, actually, multiple love stories that will pull at your heart strings, and keep you roaring with laughs at the same time, while touching down on some major topics in amazing ways.
What starts looking as a typical story about a young girl drinking in a bar, soon becomes a crazy roller coaster of unlikely events.
It's impossible to get bored while watching the movie, as there is a constant feeling that virtually anything can happen: we see a drinking competition, a used book sale, a guerilla theatre performance, even some magic happens.
The characters are all over the top, which suits the story perfectly. At the same time, the movie touches a number of important issues, such as love, loneliness, and greed.
The animation in the movie is just beautiful. It's colorful and very pleasant to the eye. It is perfect for this kind of story, with the more realistic parts animated more traditionally and the more absurdist parts looking pretty much like an acid trip.
Watching the movie is a really interesting experience and I'm sure I won't forget it. Super psychedelic romantic night in Kyoto Wonderland.
But with the many, many nods to the Tatami Galaxy series, I would recommend that as mandatory viewing first to be in on all the jokes.
BlueFox94 1 September Originally published on the Impacting Culture blog "Senpai, what a coincidence! Months later, I remain pleasantly surprised at its emotion, focused target audience, and musical bounce.
The coming-of-age anime film half-marked Japanese director Masaaki Yuasa's return to the big screen since his cult feature debut Mind Game and following just over a decade of small screen projects.
I wrote "half-marks" because Yuasa had directed another movie that got released in Japan one month prior to Lu Over the Wall.
That film is The Night Is Short, Walk on Girl henceforth shortened to Night Is Short; see end of review as well and it could very well go down as one of the best animated films of the s.
She interacts with an assortment of eccentric characters. Among these is a male classmate Gen Hoshino at her university, known only as "Senpai" Japanese: "senior".
Senpai has long been smitten by Otome. His best efforts at vying for her affections, however, has amounted to just "Operation A. Appear Before her Often ", so he intends to confess his feelings to her this night.
Given his nerves, clumsiness, and all the characters socializing between them, this night could very well end up feeling like a whole year.
If I take slight issue with anything in Night Is Short, it would involve the brisk character introductions of its opening minutes.
Yuasa starts his audience at once with Otome at an evening wedding banquet for presumed acquaintances from school.
She gulps one of her first drinks for the night, then expresses slight disappointment when her tablemates, already more buzzed than her, request Bireley's orange soda for the table.
Unbeknownst to Otome, Senpai is already watching her from across the banquet hall. At his table are two school friends who will soon become major supporting players in the story: The first is the School Festival Executive Head Hiroshi Kamiya , whose good looks and secret crossdressing of female pop culture characters think cosplaying and Ed Wood rather than The Danish Girl make legions of his classmates go crazy for him.
That evening, the Executive Head is directing his high-tech and elite campus security guard to investigate and halt the university's evasive theatre troupe.
Rumor has it that the troupe will put on scenes from a "guerrilla musical" at seemingly random school festival spots later that evening.
Little does the Executive Head know that the book and songs of this guerilla musical are being composed by "Don Underwear" Ryuji Akiyama , Senpai's other school friend at the table.
The hefty Don Underwear has vowed not to change his underwear hence his self-given moniker until he reunites with his destined love, whom he may have met at last year's school festival.
Viewers have to retain much of this onslaught of information to comprehend the rest of the anime feature's runtime.
Processing the characters and their respective to-do lists for the night as the opening titles began to roll, I was left wondering how the rest of the movie would proceed.
By the time the end credits song began playing, however, I was already making comparisons with Sorry to Bother You, writer-director Boots Riley's absurdist comedy from a few months ago.
With both Night Is Short and Sorry to Bother You, I question whether or not their characters, subplots, and themes all collapse under their own collective weights.
That concern becomes moot when I realize that both films have provided me with two of the most entertaining and thrilling viewing experiences of Night Is Short succeeds in pinning down a concrete theme for itself and centering it on the two leads.
As such, she charges through this night like a saintly train. It certainly helps that Otome can drink alcohol like water, the alcohol evaporating from her system like gentle butterflies as seen in the drinking contest between her and wizened local crime boss Rihaku-san Mugihito.
Senpai, meanwhile, struggles through this night, losing his pants to Rihaku-san, who does this to hapless male strangers as an habitual prank.
Once Senpai sets out for a used books market to retrieve Ratatatam, a cherished childhood book of Otome, he rebounds, first jumping into a contest of eating highly spicy foods in Rihaku-san's black market tent of used books.
Later on, he barges into the final scene of Don Underwear's guerilla musical to act and sing alongside Otome, who was cast at the last second.
The dreamed battle between Senpai's cowboys of instinct and the scrawny perverts of hesitance escalate to a spectacular animated cacophony of young adult nerves.
As we enter the final third of , I stand holding director Masaaki Yuasa and actor Joaquin Phoenix in towering regard.
He still has The Sisters Brothers ahead of him. Until then and hopefully long afterwards, we all must move forward a little at a time, cherishing the connections we make along the way.
AaronBaron64 23 February Ok, ok, this is the most bonkers movie i've ever seen in my life, expected no less by the famed Masaaki Yuasa devilman crybaby guy.
The sheer visuals alone is enough to take you to the tipsy lane and doesnt let you go home easy, the movie is just jam packed with content, 30 mins feels like a 2 hour watch, and after the 1 hour mark i had to take a break from overworking by brain to exhaustion just trying to keep up itself!
From boy to love This film can best be described as a collection of very funny, very strange, and very creative images and ideas packed into the narrative of two primary leads.
Its unpredictability makes it a ton of fun to watch. I saw this film at the Animation is Film festival in LA, on a huge screen in a packed theater fairly late at night -- probably the best way to see it.
The story opens on a wedding, though the bride and groom play only an incidental role in the remainder.
The heroine spends an incredibly long and eventful night at first drinking everyone under the table, then searching for a long-lost book, accidentally acting in a guerrilla play, and finally passing out remedies to a town overwhelmed by the same nasty cold.
Various subplots proceed simultaneously, the most important of which is the pursuit of our heroine by Senpai, a smart but insecure fellow who is infatuated with her.
None of this is in the least constrained by reality, and all of it is funny and sometimes touching. Catch it in a theater if you can. Warning: if you have a family history of alcoholism or have had problems with it yourself, you might want to skip this film!
It unashamedly glorifies consumption of lots of alcoholic beverages while happily ignoring the real-world consequences. Shostakovich 29 June Kurokami no Otome Main.
Hanazawa, Kana Japanese. Senpai Main. Hoshino, Gen Japanese. Higuchi, Seitarou Supporting. Nakai, Kazuya Japanese. Johnny Supporting.
Hiyama, Nobuyuki Japanese. Hanuki, Ryouko Supporting. Kaida, Yuuko Japanese. Jimukyokuchou, Gakuensai Supporting.
Kamiya, Hiroshi Japanese. Pantsu Soubanchou Supporting. Akiyama, Ryuuji Japanese. Princess Daruma Supporting. Yuuki, Aoi Japanese.
Furuhonichi no Kamisama Supporting. Yoshino, Hiroyuki Japanese. Toudou-san Supporting. Yamaji, Kazuhiro Japanese. Choi, Eunyoung Producer, Storyboard.
Kimura, Eriko Sound Director. Heo, Pyeonggang Episode Director. DannyTheDonkey All reviews people found this review helpful. See score details. Rate And Review Submit review Want to see.
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How did you buy your ticket? View All Videos 2. View All Photos Movie Info. A young girl embarks on an insanely long night of partying where she interacts with an increasingly eccentric cast of characters.
Masaaki Yuasa. Makoto Ueda. Jan 29, Fuji Television Network Inc. Kana Hanazawa Kurokami no otome Voice. Gen Hoshino Senpai Voice. Hiroyuki Yoshino Furuhonichi no kamisama Voice.
Seiko Niizuma Kiko-san Voice. Aoi Yuki Purinsesu Daruma Voice. Masaaki Yuasa Director. Makoto Ueda Screenwriter. August 21, Full Review…. October 27, Full Review….
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More trailers. City So Real. Save Me. Star Trek: Discovery. No Score Yet.Keeping Up With the Kardashians. A good comparison would be the diner scene from Tati's "PlayTime," although that film's virtuosity remains unmatched. Will the two come together, or will this girl just keep on Trolls Der Film After the festival, the town is threatened by an illness and a hurricane that appear to be a manifestation of conditions that I found very hard to follow, and events get Spotlight German Stream sort of race-against-the-clock vibe that feels out of place. The character design is "ripped off" from that work.